为凑齐大学学费，焦虑紧绷的少女萨莎接下了一份高薪保姆工作，来到戒备森严的郊区豪宅照看小男孩。在附近的游乐场玩耍时，男孩突然消失无踪。萨莎在搜寻中发现，游乐场里的孩子们行为诡异，仿佛被某种黑暗力量操控。随着时间推移，现实逐渐崩塌，她发现自己陷入了一个充满谎言与陷阱的扭曲世界，那些看似天真的孩童，正组成一个致命的“蜂巢”，将她困在其中。
When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.
血色小红帽
