鸟人

电影《老兵刀锋》讲述退役军人李峰回到家乡曾家山创业，决心改变家乡落后面貌，在各级党委政府的关心与帮助下，从军中栋梁逐步转化成中国脊梁的故事。

旅居海外的建筑师文新（韩立 饰）迫于为母亲安葬骨灰，回到阔别多年的故乡小城，正逢老街区面临保留和拆除的选择。年少时暗恋的邻居李梅（吴可熙 饰）说自己生不出孩子是和九十九间半宾馆有关，邻居大妈也说他母亲的死也与九十九间半宾馆有关，文新的心里暗流涌动，他接受了老区改造的顾问的邀请。似乎他拥有了保护古街区留着乡愁记忆的能力，和“圆梦”和“复仇”的机会。“圆梦”时他发现不能如愿，复仇又造成了新的伤害。阴阳生死轮回是自然规律，天人合一才是风水的真正内涵……

余老爷子偶然在山林中捡到一块奇石被误传为发现了宝藏。贾老板派出三流导演余果假借拍戏的名义去偷奇石，贾老板的助理信以为真雇来国际大盗，就此一个民间流传的宝藏传说与奇石的荒诞夺宝故事拉开帷幕。

The film delves into the unexplored theme of the displacement of the Rusyn, an East Slavic ethnic group from the Eastern Carpathians in Central Europe, during the construction of the Starina reservoir in the 1980s. Set against this tumultuous backdrop, Flood intertwines personal and collective stories, bringing to the forefront the often-overlooked plight of the Rusyn minority in Slovakia.
　　Gonda's film speaks to minorities, individuals who have experienced displacement and young adults through its protagonist, Mara. The story unfolds in a small village, threatened by an impending flood due to the construction of the reservoir. Mara, a young woman yearning for city life and an education, is bound to her rural roots by her strict father, a Rusyn farmer, who refuses to relinquish his land and legacy despite the looming end of their world. Flood explores the themes of adolescence, uprooting and the sacrifice of personal desires for the greater good. The film seeks to elicit reflections on one's roots and the concept of home, as well as the challenges of navigating a disappearing culture and heritage.
　　The Starina reservoir's construction, which lasted from 1981-1988, led to the largest displacement in Slovak history. Gonda's personal connection to the region, having spent his childhood summers there, adds a layer of authenticity and depth to the narrative. The film not only recounts the physical destruction of the seven Rusyn villages, but also captures the emotional and cultural impact of this event on the community. The director aims to present a deeply researched, emotive and intimate story as well as diving into the complex dynamics between personal identity, community ties and the inexorable march of progress. The movie is poised to engage and challenge audiences, fostering a deeper understanding of the often-painful interplay between tradition and modernity.

伊娃在保加利亚乡村的一家服装厂工作，一直受一种顽固却原因不明的疾病困扰。当她被确诊为小镇首例新冠病例后，各种指责声如潮水般涌来——先是急于推卸责任的工厂老板，接着是她的同事、儿子，最终整个社区都将矛头指向了她，尽管伊娃已经多年没有离开过这座小镇。
　　随着病毒出现首批受害者，对伊娃的公开妖魔化愈演愈烈，她很快成了被社会排斥的弃儿。
　　这部影片的结构接近社会悬疑剧，聚焦新冠疫情中不为人知的层面。曾入围戛纳电影节、荣获卡罗维发利国际电影节水晶地球仪奖的导演斯蒂芬·科曼达雷夫，此次携新作回归，影片对激进资本主义进行了反思——这又是一幅扣人心弦、贴合时代且充满力量的被剥削者群像，整部作品均在欧盟境内制作完成。

追梦路上永远年轻！ 2012年9月28号，来自北京的27岁杭州姑娘杨晨，和她的小伙伴徒步尼泊尔珠峰南坡，追梦路上遭遇喜马拉雅空难，杨晨的父亲无法承受失去爱女的生命之痛，为圆女儿生前看一眼珠峰，独自自驾上万公里到达西藏珠峰大本营，一路上想起了和女儿成长中的生活点滴。

故事始于1975年，时年19岁的波登，他去到美国马萨诸塞州普罗温斯敦，在当地一家餐厅打工，通过美食和身边人，找到了灵感和人生目标。1980、1990年代，他在多家曼哈顿餐厅从业，此后为《纽约客》撰写文章揭露知名餐厅的黑暗面，直截了当的文风引起读者、食客注意。不过，波登最著名还是主持美食电视节目。2018年，他在录制节目《安东尼·波登：未知之旅》期间于法国上吊自杀。