爸爸是坏人冠军

 田敏香出身寒门，工作后捕获心仪恋人。可因男方父母一致反对。田敏香被迫分手辞职下海，历经千辛万苦，如愿淘得第一桶金。在砥砺奋进的路上，恐吓、欺凌接踵而至。可好饭不怕晚，田敏香最终创造出自己辉煌人生。

The film delves into the unexplored theme of the displacement of the Rusyn, an East Slavic ethnic group from the Eastern Carpathians in Central Europe, during the construction of the Starina reservoir in the 1980s. Set against this tumultuous backdrop, Flood intertwines personal and collective stories, bringing to the forefront the often-overlooked plight of the Rusyn minority in Slovakia.
　　Gonda's film speaks to minorities, individuals who have experienced displacement and young adults through its protagonist, Mara. The story unfolds in a small village, threatened by an impending flood due to the construction of the reservoir. Mara, a young woman yearning for city life and an education, is bound to her rural roots by her strict father, a Rusyn farmer, who refuses to relinquish his land and legacy despite the looming end of their world. Flood explores the themes of adolescence, uprooting and the sacrifice of personal desires for the greater good. The film seeks to elicit reflections on one's roots and the concept of home, as well as the challenges of navigating a disappearing culture and heritage.
　　The Starina reservoir's construction, which lasted from 1981-1988, led to the largest displacement in Slovak history. Gonda's personal connection to the region, having spent his childhood summers there, adds a layer of authenticity and depth to the narrative. The film not only recounts the physical destruction of the seven Rusyn villages, but also captures the emotional and cultural impact of this event on the community. The director aims to present a deeply researched, emotive and intimate story as well as diving into the complex dynamics between personal identity, community ties and the inexorable march of progress. The movie is poised to engage and challenge audiences, fostering a deeper understanding of the often-painful interplay between tradition and modernity.

1775年，古老修道院的回廊里恶灵潜藏，血腥诅咒悄然蔓延，修女们接连坠入死亡深渊；2025年万圣节狂欢夜，面具杀手突袭街头，热闹派对秒变屠宰场，人人沦为待宰猎物；2050年末世废土，怪物横行开启末日启示录，幸存者在废墟中拼死求生。作为系列第17部，本片以三段跨越百年的恐怖故事，串联起一场永不停歇的邪恶轮回，每一轮循环，都是直戳骨髓的惊悚暴击。

A ship explodes. A man dies. A man disappears without a trace. Is it an accident or a cover-up for something darker?
　　Documentary filmmaker Nerijus Milerius (“Exemplary Behaviour”) invited his former student Lina Lū?yt? (“Together Forever”, “The Castle”) to direct this Lithuanian psychological thriller while investigating Japanese disappearances. Genius cinematographer Vytautas Katkus (worked on Locarno winner “Toxic”) captures the dark subject matter perfectly, jumping between moving cars and shooting in time-lapse.
　　Actress ?ygimant? Jak?tait? (“Runner”) plays Lina, a Vilnius morgue medic who becomes fascinated by the mysterious disappearance of a sailor named Vilkas (Wolf). Her obsession leads her to eerie places and disturbing encounters. The clock is ticking as Lina searches for the lost man.

Ten minutes a day can change the course of the day. Ten minutes of doing something completely new can change the course of a life. This is what Bianca will discover in the midst of an existential crisis. New encounters, the discovery of special bonds and listening to those who have always loved us. Sometimes it takes very little to start over and this film teaches us, through a warm and exciting tale of rebirth.

 本系列改编自横沟正史小说。剧中到访冈山的金田一将下榻鬼首村温泉旅馆“龟之汤”。该村在23年前曾发生命案。当人气歌手返乡探亲，全村沉浸于欢迎氛围时，青梅竹马的年轻女性们却接连遭遇杀害。遗体均被施加诡异装饰，其手法正对应村里流传的古老手球歌歌词。在过往恩怨、隐藏的血缘关系与复仇心理交织中，金田一逐步逼近真相。