4名大学生前往东爪哇的威里朗火山徒步散心，在半山腰发现了一个诡异的“集市”，误闯后迷失方向，最终被困在一个超自然村庄。随着时间推移，他们逐渐发现这里是活人世界与灵界的交界，村庄里的居民并非人类。他们也被卷入了一场以活人献祭为目的的古老仪式中，大家的生命危在旦夕…
When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.
