炉火正红

男一号秦泰是一名极具个性的美术生，而他学美术是在美术，老师范泽的指导和建议下开始学的。他从小生长在看似家庭优越的环境中，其实十分缺少父爱的单亲家庭，
　　缺少父亲的陪伴和疼爱，在家庭的影响下，他向往自由，厌恶学校和书本的束缚，在班主任眼中是个十足的坏孩子，却最终在老师范泽的引导和教育下找到了自己的目标，并努力去实现自己的梦想……

The film delves into the unexplored theme of the displacement of the Rusyn, an East Slavic ethnic group from the Eastern Carpathians in Central Europe, during the construction of the Starina reservoir in the 1980s. Set against this tumultuous backdrop, Flood intertwines personal and collective stories, bringing to the forefront the often-overlooked plight of the Rusyn minority in Slovakia.
　　Gonda's film speaks to minorities, individuals who have experienced displacement and young adults through its protagonist, Mara. The story unfolds in a small village, threatened by an impending flood due to the construction of the reservoir. Mara, a young woman yearning for city life and an education, is bound to her rural roots by her strict father, a Rusyn farmer, who refuses to relinquish his land and legacy despite the looming end of their world. Flood explores the themes of adolescence, uprooting and the sacrifice of personal desires for the greater good. The film seeks to elicit reflections on one's roots and the concept of home, as well as the challenges of navigating a disappearing culture and heritage.
　　The Starina reservoir's construction, which lasted from 1981-1988, led to the largest displacement in Slovak history. Gonda's personal connection to the region, having spent his childhood summers there, adds a layer of authenticity and depth to the narrative. The film not only recounts the physical destruction of the seven Rusyn villages, but also captures the emotional and cultural impact of this event on the community. The director aims to present a deeply researched, emotive and intimate story as well as diving into the complex dynamics between personal identity, community ties and the inexorable march of progress. The movie is poised to engage and challenge audiences, fostering a deeper understanding of the often-painful interplay between tradition and modernity.

The story revolves around 27-year-old Nourqui who has immigrated illegally to Marseille and who gets by on petty crime, living a marginal and festive life with his friends. From 1990 to 2000, Nour loves, grows older and clings to his dreams, damaged by the melancholy of an irreversible exile...

讲述的是陈秀英和母亲开设茶馆，太原总镇石须龙的儿子石伦闻其貌美率家丁来骚扰，仗势逼婚，陈母颇有武功，将他打跑，陈母欲追之，恰遇石的部将匡忠劝解。陈母见匡忠少年正直，引回茶馆，与秀英一见钟情。又因陈父临死时留下铁弓一把，遗嘱有人拉开，便以女儿嫁他。匡忠拉开铁弓，又与秀英比武，秀英甚为满意，两人订下婚约。石伦嫉妒，与父设计陷害匡忠发配边关，石伦又去逼婚，被秀英杀死，陈秀英女扮男装与母逃走，投奔太行山起兵讨伐太原，杀死石须龙，最后与匡忠阵前重逢，方得团圆。

Following the chaotic story of Martín de la Torre, who finds a way to rise to the top and bring the 1986 World Cup to Mexico by any means necessary.